The ARIPO Office wishes to inform all applicants that the Director General of ARIPO has established Administrative Instructions under the Regulations for the Implementation of the Banjul Protocol on Marks. The Administrative Instructions are accessible on the website of the Organization.
Attached is the signed notice from the Director General.
We wish to advise all our valued stakeholders including cooperating partners and patents agents that the Director of Intellectual Property at the ARIPO Secretariat, Mr. Christopher Joel Kiige, a national of Uganda retired from active ARIPO service at the end of February 2018 in accordance with the ARIPO retirement policy.
We take this opportunity to once again wish Mr. Kiige well as he enjoys his well-deserved break in his retirement.
Submissions are invited for publication in the African Journal of Intellectual Property (AJIP) Volume 2 Number 2 published by Africa University in collaboration with the African Regional Intellectual Property Organisation (ARIPO).
This scholarly journal is a peer-reviewed, bi-annual publication which aims to respond to the growing need for documentation of, and access to research in diverse aspects of intellectual property in Africa. A special feature of the journal is the promotion of African scholarship and research emanating from universities, research institutions, legal practice, administrative bodies, the judiciary and other sectors with a stake in intellectual property policy, administration, enforcement and management. While providing a platform to publish research in core intellectual property subjects including patents, copyright, designs, trademarks, traditional knowledge etc, the journal also welcomes submissions on intellectual property-related issues in health, education, food security, the environment etc. In this way, the journal aims to fill the gap in existing academic journals by encouraging interdisciplinary research.
Article submissions will be accepted on a rolling basis. However, to be considered for publication in the June 2018 Issue, full articles must be received on or before 31 March 2018.
GUIDELINES FOR AUTHORS
The journal welcomes articles, case reviews, statute reviews, book reviews, practitioner pieces, commentaries and other original submissions. Submissions should be original contributions, not previously published and should not be under consideration for publication elsewhere.
Peer Review Process
All submissions will be peer-reviewed through the double-blind system. Among other things, reviewers will evaluate the originality, relevance, accuracy, rigour and general suitability of the submission for publication in AJIP.
Prospective authors are advised to not include their names in the main text or as running headers and footers. There is no absolute upper or lower word limit for submissions. However, as a general guide, it is expected that articles should fall within the range of 4 000 and 5 000 words, while practitioner pieces, statute, case and book reviews as well as comments should be between 1 000 and 3 000 words. Submissions should be in Times New Roman, 12 point font, with 1 ½ lines spacing. An abstract of 150-250 words is required at the point of submission. This should include four or five key words.
Contributors are to follow the American Psychological Association (APA) referencing style in which:
- in–text citations should state author, date and where appropriate page number; and
- the reference list, entered alphabetically, must include all the works cited in your article.
Please aim to incorporate footnotes into the text. If notes are unavoidable, they should come at the end of the article (end notes) and must be brief and to the point.
Short quotes of less than three lines (under 40 words) should run on as part of your sentence with “double quotation marks” to signal where the quote starts and ends. The page where the quote comes from must be included.
Long quotes known as block quotes or indented quotes (more than 40 words) should:
• start on a new line
• be set at 10 point font
• be indented about 5 spaces from the left hand margin
• be single spaced
• not have quotation marks.
UK English spelling is preferred and should conform to the most recent edition of the Concise Oxford English Dictionary.
Submission Deadline: 31 March 2018
Digital income growth accelerates to 51% as CISAC member author societies drive efficiencies worldwide
Paris, France, 15 November 2017 – Global royalty collections for creators have hit a new record high of €9.2 billion (US$10.1 billion) annually, up 6% on the previous year according to new figures published by the International Confederation of Societies of Authors and Composers (CISAC) today.
In the music sector, songwriters, music composers and publishers saw collections grow by 6.8% to €8.0 billion (US$8.9 billion), helped by a 52% increase in digital revenues. Collections for audiovisual and literature works also increased, while there were small declines in collections for visual arts and drama.
Revenues from digital uses of all repertoires have nearly tripled since 2012, and grew 51.4% in 2016 to just under €1 billion, the sharpest growth rate in the last five years. These are largely driven by streaming subscription services. At €948 million (US$1,045 million) digital still accounts for only 10.4% of global income, however, with revenues held back in particular by poor returns from UGC video streaming platforms.
TV and radio broadcast take the largest collections share with 42.8% of global income, followed by live and background uses. In the music sector in Europe, live and background collections have overtaken TV and radio for the first time, reflecting the health of the live business and pressure on rates from broadcasters.
The numbers are released today in the CISAC Global Collections Report, collating and analysing 2016 data received from member authors societies in 123 territories.
Introducing the 2017 Report, CISAC Director General Gadi Oron says: “This year’s report shows the system of collective management of creators’ rights is robust, successful and ready for more growth. The big traditional revenue streams, led by broadcast and live performance, remain stable and strong. Digital royalties continue to surge and in some markets already overtake other forms of income. The figures we’re releasing today reflect our societies’ relentless effort to be more efficient and innovative, and drive income growth.”
Jean-Michel Jarre, CISAC President and electronic music pioneer, writes: “This is a vast sector of cultural and economic activity, worth an amazing nine billion euros worldwide. Despite its growth, however, collections are nowhere near the level they should be. Large industries that use creative content are driving down the value of our works. A simple illustration of this is the “transfer of value” in the digital market where platforms such as YouTube are paying mere crumbs to authors. There is no greater priority that we ask from governments today than a solution to the transfer of value.”
CISAC’s global network of 239 societies licences content and collects royalties on behalf of 4 million creators for the use of works on TV, radio, background, live, digital, private copying and other uses.
Media Contact for further information contact:
Adrian Strain – CISAC Director of Communications
Guylaine Moreau – CISAC Communications
CISAC – the International Confederation of Societies of Authors and Composers – is the world’s leading network of authors’ societies (also referred to as Collective Management Organisations, or CMOs).
With 239 member societies in 121 countries, CISAC represents over four million creators from all geographic regions and artistic repertoires including music, audiovisual, drama, literature and visual arts. CISAC is presided over by electronic music pioneer Jean-Michel Jarre and the organisation’s vice-presidents are: Beninese singer Angélique Kidjo, Argentinean film director Marcelo Piñeyro, Spanish visual artist Miquel Barceló and Chinese film director, scriptwriter and producer Jia Zhang-ke.
CISAC protects the rights and represents the interests of creators worldwide. Founded in 1926, it is a non-governmental, not-for-profit organisation with headquarters in France and regional officesin Africa (Burkina Faso), Latin America (Chile), Asia-Pacific (China) and Europe (Hungary).